Jump to content
kidult

Vinyl camp

Recommended Posts

not dealer or any kind. just a kind forum member here.

 

Yup, but bot Jig and Kidult are Darth Lords on Vinyl right now. :bash:

Share this post


Link to post
Share on other sites

Yup, but bot Jig and Kidult are Darth Lords on Vinyl right now. :bash:

 

Hey, Bro...where have you been lately?

 

 

Share this post


Link to post
Share on other sites

Yup, but bot Jig and Kidult are Darth Lords on Vinyl right now. :bash:

 

get yourself prepare to the Vinyl route, you need to,

start buying lots of LPs,

storage containers for LPs,

a Spirit Level,

Stylus Force Gauge,

long nose plier,

start shopping for TT, cartridges, phono amps.

after confirm the TT, get a MintLP protractor,

and lastly record cleaning machine when you hit more than 80LPs.

here you go, Nirvana is waiting. :lust::grin::lust::grin::cans::cans::cans:

Share this post


Link to post
Share on other sites

get yourself prepare to the Vinyl route, you need to,

start buying lots of LPs,

storage containers for LPs,

a Spirit Level,

Stylus Force Gauge,

long nose plier,

start shopping for TT, cartridges, phono amps.

after confirm the TT, get a MintLP protractor,

and lastly record cleaning machine when you hit more than 80LPs.

here you go, Nirvana is waiting. :lust::grin::lust::grin::cans::cans::cans:

 

Dun forget a small wooden stool, portable radio and lots of old but comfortable T-shirts and shorts so you can get down to washing ALL that dirty dirty LP in the kitchen/bathroom like a good kopitiam dishwasher!!!

Edited by jig_sg

Share this post


Link to post
Share on other sites

get yourself prepare to the Vinyl route, you need to,

start buying lots of LPs,

storage containers for LPs,

a Spirit Level,

Stylus Force Gauge,

long nose plier,

start shopping for TT, cartridges, phono amps.

after confirm the TT, get a MintLP protractor,

and lastly record cleaning machine when you hit more than 80LPs.

here you go, Nirvana is waiting. :lust::grin::lust::grin::cans::cans::cans:

 

 

Dun forget a small wooden stool, portable radio and lots of old but comfortable T-shirts and shorts so you can get down to washing ALL that dirty dirty LP in the kitchen/bathroom like a good kopitiam dishwasher!!!

 

 

:bye2: Waaah!!! :helpsmilie:

Share this post


Link to post
Share on other sites

 

Dun forget a small wooden stool, portable radio and lots of old but comfortable T-shirts and shorts so you can get down to washing ALL that dirty dirty LP in the kitchen/bathroom like a good kopitiam dishwasher!!!

 

How did you....??? I must check my bathroom for hidden cameras now. :angry:

Edited by heady

Share this post


Link to post
Share on other sites

How did you....??? I must check my bathroom for hidden cameras now. :angry:

 

I spy with my little eye.... :whistle: WASH FASTER!!!

Share this post


Link to post
Share on other sites

Finally...a replacement...

 

 

Why does it look bent in the last pic?

Share this post


Link to post
Share on other sites

Interesting read....

 

Tonearm/Cartridge Capability

For best performance, the tonearm and cartridge must be matched. All cartridges will not work with all tonearms, and vice versa. To insure a proper match, one must be aware of the mechanical specifications of both the arm and phono cartridge. To see how these characteristics interact and determine compatibility, we must first understand the dynamics of the relationship.

 

Any cartridge/tonearm combination will exhibit resonance at a specific frequency (or frequencies). This resonance is due to the interaction of the cartridge (acting as a spring), and the weight of the arm (acting as a mass). The "springiness" of the phono cartridge is described as compliance, the weight of the arm is specified in mass. As an example, a heavy weight on a light spring would obviously over-flex the spring, conversely, a light weight on a strong spring would not allow sufficient flexion.

 

At resonance, the arm/cartridge combination produces a dramatic rise in output. An increase of 3 to 6dB or more is common. This tremendous boost can cause severe problems if it occurs in the region of recorded music (above 2OHz), or in the area where record warps and rumble are problematic (below 5Hz). A cartridge/arm whose resonance occurs in the region above 2OHz can be influenced by music on the record. At this frequency a significant jump in output (resulting in a "bloated" or "tubby" sound) will be experienced. In extreme cases, the stylus may actually jump out of the groove. Similarly, a cartridge/arm combination that exhibits a resonance below the desired range will exaggerate the effects of record warps, or rumble produced by the turntable.

 

The goal in matching a specific cartridge and arm is to achieve a resonance in the 10 to 14Hz range. Some feel that limiting this range even further, to 9 to 11hZ, is best.

 

I've seen the following formula for calculating the resonant frequency of an arm/cartridge:

Resonant Frequency = 1000/[6.28*square root (M*C)]. Where M is the mass of the arm and cartridge and C is the compliance of the cartridge. As an example, if we had an arm/cartridge with a combined mass of 14g, and a cartridge with a compliance of 20, the resonant frequency would be 9.535.

 

This simple equation doesn't take into account all factors, including tonearm damping and, internal cartridge damping, but it will give you general idea of compatibility.

 

A decade ago, high-compliance cartridges were the rage and these needed to mate with very low mass tonearms. However, today’s heavier, lower-compliance phono cartridges (especially moving coils) have required tonearm designers/manufacturers to reorient themselves in the direction of medium to high-mass arms. Further, some of the currently available MC cartridges put back a tremendous amount of energy into the arm. This reflected energy takes the form of standing waves, which travel up and down the length of the tonearm, potentially creating mis-tracking problems and/or frequency dependent cancellation. A well designed tonearm will dissipate this energy, rather than reflecting it back to the cartridge. The ability of the arm to accomplish this will be dependent upon bearing design, internal damping and rigidity.

 

In a situation where a higher compliance cartridge is employed in a medium to high mass tonearm, the ill-effects of the match can be mitigated to some degree if the tonearm offers fluid damping. Here, a small paddle connected to the arm rests in a reservoir filled with viscous silicone fluid. This design feature restricts small, rapid motions of the arm (like the small undulations that would occur in a high-compliance cartridge), while providing unrestricted progress to the arm as it slowly traces across the record. This system also may improve the sound of some phono cartridges that offer little internal damping of their own.

 

The only way to accurately measure system resonance is with a calibrated low frequency test record and a chart recorder, or other sophisticated test equipment. Since most of us do not possess this capability, it is wise to do some preliminary homework in assessing the compatibility of any potential arm/cartridge combination. There are a few general "rules of thumb" that we need to consider:

 

* A tonearm whose effective mass is rated at 10 grams or below is considered low mass (e.g. early SME’s, Grace 747 etc.). A tonearm whose effective mass is rated between 11 and 25 grams is considered moderate mass (e.g. SME 309, IV, IV-Vi, V, Triplanar, Graham). Arms above 25 grams of mass are high mass in nature (Eminent Technology, Dynavector).

 

* A phono cartridge whose compliance is rated at 12 x l0ˉ6 or below, is considered low compliance. A cartridge whose compliance is rated between 13 x l0ˉ6 and 25 x l0ˉ6 is considered high to very high. Note: Another way of expressing compliance is um/mN. Here a rating of 5 to 10 is considered very low, 10 to 20 is moderate and above 35 is very high.

 

* Low mass arms mate well with both moderately high and very high compliance phono cartridges.

 

* Moderate mass tonearms are good companions for moderate to low compliance cartridges.

 

* If a low compliance cartridge is used with a low mass tonearm, undesirable resonances can occur in the audible range. Mistracking may also be a problem.

 

* When a high compliance cartridge is mated with a moderate mass tonearm, resonances in the infrasonic range may occur in addition to some unwanted high frequency damping.

 

It may not be possible in every case to accurately determine whether a particular cartridge is suited to a given tonearm by a simple glance at the specifications. This is especially true in border-line situations. However, poor combinations can be easily identified and avoided.

 

Several variables can influence our ability to accurately predict a match using the manufacturers supplied specifications. Some of these are: 1) The manufacturers specifications themselves can vary in accuracy due to differences in measurement techniques. 2) Sample to sample variation of the cartridge. 3) Differing amounts of internal damping of the cartridge or tonearm and 4) the age of the cartridge. The situation is further complicated by the fact that we should calculate both vertical and horizontal resonance points.

 

Happily, most of the popular, modem-day moving coil (and many moving magnet) cartridges and the current crop of medium mass tonearms represent a fairly good match. Exceptions do exist however, and we should be aware of the sonic pitfalls. An improperly matched cartridge and tonearm will not only sound poorly, it may even cause irreparable damage to records and stylus. So, it is well worth the effort in preliminary comparisons to determine the compatibility of the proposed

 

Share this post


Link to post
Share on other sites

rubber band ??..............

IPB Image

 

 

 

 

 

 

 

Nope, is the controversy Rega White Belt.

 

IPB Image

 

From the musicdirect.com web site:

"The White Belt is made from a new type of rubber; this ultra-pure rubber doesn't have any dyes in it, hence the white color. This new material is smoother and stronger than the standard drive belt, Rega claims the White Belt is the most accurate drive belt they have ever produced, one that guarantees precision and improved motor control."

 

the belt however does making the sound more solid, images, vocalists and instruments more distinct. the improvement was easily noticeable but not "dramatic improvements".

with this price. i'm happy on the "Upgrade" :smoke:

Share this post


Link to post
Share on other sites

Please sign in to comment

You will be able to leave a comment after signing in



Sign In Now

×
×
  • Create New...