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The SACD Stories

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Ever since the founders of SACD Philips and Sony gave up making high end SACD players, I have been worrying the future of this music format. After all I have been a loyal follower of SACD format since the launch and has collected tonnes of SACD recordings. My first reference SACD player Marantz SA-14 finally ran dead, and was replaced by KI Pearl Lite. The two SACD players were not of the same class, the mid range of Pearl Lite seemed less dense the the SA-14, but the extreme high and low seemed to have more details. 

When I started crazy on hifi I went after all the recommended audiophile discs. But after many years I am after music more than audiophile recordings already. Further more audiophile recordings many were female vocals, not a genre that I am after. Nowadays what I really enjoy are still classical music and Chinese classical. To me the SACD format best present classical recordings to the fullest potential! Especially for orchestra performance, SACD are very good in terms of sound stage, accurate positioning of instrument and details of various instrument within the large orchestra.

While I thought the SACD availability was coming to an end, or at least getting scarce, I bumped into few EMI Classics SACD recordings:  Jacqueline Du Pre Elgar and Delius cello concerto (2 SACDs), David Oistrakh Double and Triple concerto ( 2 SACDs), Debussy complete piano works ( 4 SACDs) and List Piano solo works (3 SACDs). Although SACD is a superior recording format, the final audio performance still very much depending on the quality of the original recordings. These SACDs collections are good in recording, and I am very happy to be able to collect whole set of works in one shot.

 

http://www.fuwen.net/index.php/home/hifi-corner/sacd-stories/146-sacd-stories

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